The warm-up is typically thought of as a way to prepare the body to function more efficiently during vigorous physical activity and to prevent injury. However it is little understood that a good warm-up also serves some extremely important psycho-physical functions. While a good warm-up raises the heart rate, stimulates circulation and elevates body temperature, it also harmonizes the mind and body, contributes to coordination and timing and helps achieve a level of centering that is essential for optimal performance in the martial arts. For example, a good warm-up is akin to tuning a fine instrument such as a violin. The violin itself may be seen as being the human body and the mind may be represented by the strings. Unless the violin and the strings are finely tuned, and brought together in harmony, little can be produced on the violin that can be construed as being good music. The same applies when we attempt to perform the type of complex coordination/timing movements that are required of us in the martial arts. Thus the goal of a good warm-up, in addition to preparing the body for the physical demands of the activity, is to finely tune the mind and body and achieve a level of harmony and coordination that enables the martial artist to perform at a higher level.
To determine whether the warm-up is effective we must look for both internal and external indicators. Internal indicators include a higher level of focus, concentration and centeredness. External indicators take the form of greater ease of movement, a higher level of fluency, timing and coordination, and increased energy levels. The body also feels warm, loose and "well oiled" and prior aches and pains begin to subside. The martial artist begins to look sharper, faster and more powerful.
While a proper warm-up is necessary before embarking on any sporting activity, it is especially important in judo and jujutsu. These martial arts make extraordinary demands on both the mind and body and, unless students are fully prepared both psychologically and physically, they open themselves up to injury and are less likely to get the most out of a workout, or contest. Thus, a good warm-up should be seen as an essential preparatory phase that lays the foundation for an effective workout, class or contest. In fact, the warm-up should be seen as an integral part of a workout and not as something to be gotten out of the way as quickly as possible so that the "real" workout can begin!
At the beginning of a workout it is not unusual for students to feel
excited and eager to get into some "real" jujutsu or judo. In such
an atmosphere the warm-up often seems like an unnecessary obstacle that gets
in the way. Consequently, it is often handled in a perfunctory manner,
exercises are performed quickly and in a jerky manner, and no system or logic
appears to guide the conduct of this phase of the workout. Such a warm-up
often fails to achieve the goals of preparing students physiologically and
psychologically to get the most out of their workout, and may even predispose
them to injury. Thus, at the end of the warm-up, instead of feeling focused,
calm and controlled (that is to say, "centered") loose, pain-free
and energized, students are over-aroused, "hopped up" and in a state
of mind that is totally inappropriate for meeting the complex requirements for
control, precision, fluency and coordination that are so essential in judo and
jujutsu. In fact, students who suffer through such a warm-up (fast, jerky and
high impact) are so over-aroused that they end up looking hyperactive and more
ready for a brawl, than a martial art. Consequently,
they are likely to have a less than satisfactory workout and may go away
feeling dissatisfied and frustrated. Such experiences are not likely to
motivate students to come back. What some instructors need to appreciate is
the fact that the quality of their warm-up determines
the quality of the ensuing workout, lesson or contest.
The greater goal of a good warm-up is to help students achieve an
optimal state of psychophysical readiness (internal harmony)
and interpersonal harmony, or the ability to harmonize with their
partner. Internal harmony is associated with feeling centered. Such a state
helps students learn faster, and play or compete more effectively. In this
state, their body functions like a well oiled machine and their mind reflects
calm and focused concentration, and control.
It is the purpose of this paper, therefore, to clarify the functions of
warm-up and provide some basic guidelines that both students and instructors
may use to enhance the quality of their judo and jujutsu experience.
For maximum effectiveness, a good warm-up must take the student through
FOUR linked psychophysical stages. Physically a good warm-up:
(I)
Helps the body achieve a state of readiness;
(II)
Stimulates circulation and helps elevate body temperature;
(III)
Helps increase flexibility by stretching and loosening all major
muscles and ligaments, and,
(IV)
Helps develop coordination and good timing.
Just as importantly, a proper
warm-up also prepares the individual psychologically to achieve an appropriate
level of:
(I)
Concentration/focus
(II)
Heightened level of body awareness
(III)
Mind-body unity (internal harmony)
(IV)
Interpersonal harmony (ability to harmonize with partner).
These are, of course, the
underlying components of centering2,
without which a martial artist is rarely able to tap into his or her sources
of inner strength and generate power1.
The final stage, Interpersonal
Harmony, speaks to the ability to anticipate and "harmonize" with a
training partner's or opponent's attacks and turn them to one's advantage. It
may not be immediately obvious but good instructors realize, from years of
working with students, that different preparatory exercises (and the manner in
which they are performed) affect students in different ways. Thus, they
attempt to tailor-fit their warm-up to best prepare their students for the
type of session they have in mind. Clearly, the mindset required for learning
in a class situation is quite different from that required for a rigorous
workout. And, a contest situation requires yet a different type of preparation
if the competitor is to achieve a level of psychophysical functioning that is
most effective in meeting the demands of the contest environment.
Interestingly, the same principles hold true for warm-up regardless of the
objectives sought. What differ are the specific
"channeling/bridging" activities (and manner of execution) that an
instructor introduces in the latter part of Stage IV in order to channel
students from the more general warm-up to the demands of a workout (for
fitness training), class session (for learning), or for contest. Thus, while
it may be argued that a twenty minute warm-up takes time away from judo or
jujutsu practice, ultimately
it pays off by helping students get more out of the activity. This is
possible because a good warm-up enables students to function at a much higher
level of effectiveness and efficiency, resulting in an overall increase in the
quality of the experience. By being more efficient they waste less time and
effort, their learning rate and performance improve, and they accomplish more.
Maximum efficiency, minimum effort (or efficient use of energy) , just as Dr.
Kano would have wished it! Thus, a sound warm-up should enable students to
feel loose, energized, coordinated, and strong. Pre-existing aches and pains
should disappear, motivation should increase and prior feelings of fatigue
should wash away. Further, students should feel an increased sense of
confidence in the body to perform. By the end of the warm-up students should
be centered and feel like finely tuned musical instruments.
The types of exercises included in the warm-up, and the way they are
performed, is also an important dimension of a sound warm-up. I offer the
following principles to help achieve a state of readiness that can lead to
effective learning and performance in both judo and jujutsu. Every warm-up
session can be divided into FOUR parallel stages that are characterized by
both a physical and a psychological dimension. The physical dimension pertains
to (I) attaining body readiness, (II) stimulating circulation and elevating
body temperature, (
III
) stretching the deep body muscles and ligaments, and (IV) achieving
coordination and timing. The four parallel psychological stages are: (I)
Attaining concentration and focus, (II) developing body awareness, (
III
) achieving mind-body unity and, (IV) establishing interpersonal harmony with
one's partner.
Stage I: Attaining Body Readiness and Concentration/Focus
Stage I is characterized by
activities intended to achieve body readiness and a proper state of mind.
Meditation is often one of the most effective ways for beginning this task.
Meditation helps students gather their thoughts, has a generally calming
effect and helps focus attention on the task at hand. This is an important
phase in the mind tuning process since it helps set the stage for achieving
the focus, concentration and control that are so necessary in the martial
arts.
Stage II: Raising Heart
Rate, Stimulating Circulation and Elevating Body Temperature
Stage II involves activities
whose goal is to raise the heart rate approximately 20 beats above the
pre-warm-up level (to about 100 beats per minute), stimulate circulation,
elevate body temperature and begin to develop body awareness by mentally
connecting with the body. Jogging (and other similar activities) round the mat
or dojo is often employed for this
purpose. It is important to keep in mind that, regardless of the type of
activity one selects for this purpose, the activity must be of reasonable
intensity to raise the heart rate to at least one hundred beats per minute. It
is also important to keep in mind that NO stretching exercises should be
initiated until after body temperature has been elevated. A minute and a half
to two minutes of jogging (or other appropriate activity) is often adequate at
normal room temperature. Colder conditions may necessitate some adjustments to
the duration of this phase. Once the body is sufficiently warm, it is now safe
to begin Stage
III
, the stretching and loosening phase.
Stage
III
: Stretching, Loosening and Developing Mind-Body Unity
Most instructors are familiar with general stretching exercises so there
is no need to elaborate on this. Suffice it to say that all major muscle
groups and ligaments should be stretched gently, calmly,
and slowly.
These exercises should be done with patience and the instructor should
convey to the students the importance of not rushing through this stage. If
done properly, the stretching phase will also help students calm down and
begin to get more in touch with
their body. Such body awareness is absolutely essential in all sports but it
is doubly so in the martial arts where a lack of such awareness may result in
severe injury. The instructor should help students at this stage by asking
them to consciously focus their attention on the muscles that are being
stretched. Jerky, high speed and high impact movements should be avoided at
this early stage since the body is not yet fully ready for such intense
activity. More importantly, the mind-tuning process should be a gradual one,
and the manner in which the exercises are done will determine whether a proper
state of mind is achieved by the end of the warm-up.
Mind-body unity (or Centering)
is an essential precursor to achieving the next, and higher level of
coordination and timing, which I call Interpersonal Harmony. If a student
fails to achieve mind-body unity (Centering), he or she will find it extremely
difficult to harmonize with an opponent's movement patterns and respond, or
counter, effectively. Putting it simply, when one is out of synch with
oneself, it is near impossible to move about fluently and defend, or attack,
with any degree of accuracy, control or good timing.
Stage IV: Developing Intra-Personal Coordination/Timing and
Interpersonal Harmony
The goal of this stage is to enable students to move fluently and to
achieve a state of Interpersonal Harmony. Interpersonal Harmony is defined as
the ability to harmonize in a coordinated and fluent manner with the movements
of a partner, a competitor, or an assailant. Clearly, the ability to attain
this state is much impaired if students do not first achieve a state of
mind-body unity (or Centering) as indicated at Stage
III
.
Stage IV is characterized primarily by timing and coordination
activities that are directly related to judo or jujutsu. This stage may
include, moving and fitting (sutekeiko), combinations (renraku waza) and
various other activities that emphasize interpersonal timing, coordination and
control. In jujutsu techniques
such as irimi nage or shiho nage, are particularly effective in helping
students develop interpersonal harmony.
Stage IV is also the channeling/bridging or transitioning phase. It is
the phase where the instructor, through the introduction of appropriate timing
and coordination activities, prepares the student for class, workout or
contest. Since each context requires a different type of psychophysical
readiness, the "bridging exercises" selected for this purpose, and
the manner in which they are practiced, are crucial in preparing the student
to get the most out of the experience.
Once a proper state of Interpersonal Harmony has been achieved, the
student is ready to engage in judo or jujutsu in the most productive manner.
The student has now been finely tuned physically and psychologically to play
at his or her optimal level of performance. The instructor will recognize this
readiness because the student will exhibit many, if not all the following
characteristics:
1. Increased energy levels
2. Higher level of motivation
3. Concentration and control
4. Increased confidence
5. Increased coordination and timing
The student will also report
feeling:
6. Stronger
7. Faster and will generally look "sharper" and ready to go.
The Principles of Sequencing, Progression and Specification
In order to progress to the highest levels of psychophysical readiness
the warm-up should be conducted in accordance with the principles of (i)
Sequencing, (ii) Progression and (iii) Specification.
(i)The Principle of Sequencing
The Principle of Sequencing speaks to the order in which body parts are
exercised. That is, does one begin the warm-up by stretching the muscles and
ligaments of the feet first, then gradually progressing upwards to the waist,
the arms and the neck, or does one begin with the upper body first? Or does it
not matter? While there are differences of opinion on this point, there are
good reasons for beginning feet first in both judo and jujutsu. The rationale
for the order suggested above is as follows: If the base (feet, ankles, knees
legs and low back) is not warmed up first, this tends to limit one's ability
to execute upper body exercises (e.g., turning and twisting at the waist) with
any degree of confidence for fear of causing injury to the feet, ankles, knees
or low back. For, while engaging in upper body exercises a student is
supported by a base that has not been adequately prepared for the task. It is
safer, therefore, to begin by warming up the lower regions (feet and knees)
and gradually working one's way upwards, in the correct order, to the waist
and low back, chest and neck, finally completing this phase by focusing on the
arms, hands and fingers. It is most
strongly advised, therefore, especially when teaching adults who often
require a more thorough warm-up to always begin warming up the feet first and
then working one's way upwards all the way to the arms, hands and fingers.
(ii) The Principle of Progression
The Principle of Progression refers to the types of activities and the
manner in which they are conducted at different phases of the warm-up. Thus,
exercises during the earlier stages should be done slowly, and should be of low
impact, low complexity and low
coordination. Near the end of the warm-up, and in an attempt to best
match the essential characteristics of the martial arts in question, the
movements should be executed slightly more quickly, and the exercises should
be of higher impact, higher coordination, and of a higher degree of
complexity. This is an important point to keep in mind since judo and jujutsu
are complex, high coordination activities involving fast, sharp and flowing
movements, often of high impact and intensity.
In addition to getting the body and mind as ready as possible for the
ensuing workout, it is desirable to provide the type of warm-up that permits
the transfer of skills and movement patterns that are most appropriate in judo
or jujutsu. Activities that transfer best possess qualities that resemble most
closely the movements of judo and jujutsu. Therefore, engaging in tai chi type
movements (slow and low impact), or yoga type exercises (passive and of low
complexity at this stage (Stage IV) is
inappropriate since the benefits that transfer from these arts are not
compatible with the dynamic demands of judo or jujutsu. However, yoga and tai
chi type movements may be appropriate during the early part of the stretching
phase (early in Stage
III
of the warm-up).
In summary, the principle of progression suggests that early phases of
the warm-up should include exercises that are of low coordination, complexity
and impact which are executed more slowly. Progressively, and in the latter
part of Stage IV, the warm-up exercises should reflect higher levels of
complexity and coordination and should be executed in a manner that begins to
resemble the movements of judo or jujutsu.
(iii) The Principle of Specification
Upon completing this first sweep of the whole body, beginning with the
feet and ending with the joints of the neck, arms, hands and fingers, it is
advisable to begin a second sweep by working one's way back down to the waist,
the low back, the thighs, hamstrings, calves and feet. In this phase, special
attention should be paid to specific body parts and joints which are subjected
to the greatest amount of stress in judo or jujutsu. This second sweep may be
called "the finishing stage". This principle is extremely important
because it stresses the need to place a greater emphasis on those body parts
which are subjected to the greatest degree of stress in the martial art in
question. For example, while flexibility is essential in most, if not all
martial arts, karate makes greater demands on the body in this area than judo
or jujutsu. The Principle of Specification suggests, therefore, that
additional stretching exercises for specific body parts may be more
appropriate for karate students, during this phase, than for students in judo
or jujutsu .
Using Light Calisthenics in the Warm-Up
It is often a good idea during
the latter part of Stage
III
(Stretching, Loosening and Developing Mind-Body Unity), especially after all
the stretching has been concluded, to include some light calisthenics.
Calisthenics are especially good for working the deep muscles and ligaments,
innervating more muscle groups, stimulating more circulation and raising deep
muscle temperature. I favor 12-15 pushups for the upper body and arms; 15-18
sit-ups for the stomach, about 12 back-raises for the low back and 12-15 half
squats (parallel) for the legs. For students who are normally capable of doing
30-40 reps of each exercise, the suggested repetitions (about one third to one
fourth of max) simply serve as a very effective form of preparation,
especially if students will be engaging in heavy randori, kumite or shiai.
However, I should point out that when these same callisthenic exercises are
executed to the maximum, they produce a training effect (for strength and/or
endurance) and they may no longer be considered warm-up exercises. The point
is that the same exercises, when executed with low repetitions, serve as
effective warm-ups; when, however, they are done to the maximum they become
strength/endurance training exercises (which fatigue the student) and
therefore have no place in the warm-up. Good instructors who wish to include a
strength/development component to their workout often incorporate such
exercises at
the end of the workout but prior to cooling off exercises.
Summary and Synthesis
In summary, the four stages of
warm-up (
I.
meditation, II. jogging or equivalent,
III
. general stretching exercises, and IV. exercises specific to judo/jujutsu)
should take the student through FOUR parallel stages of physical and
psychological preparation (see Table 1).
In the Physical Domain,
the student will pass through the following four overlapping stages. In Stage
I, the student achieves a general physical readiness. In Stage II, the student
experiences an increase in blood flow and a rise in body temperature. In Stage
III
, the ligaments, muscles and joints will feel stretched and loose. In Stage
IV, the student will feel an increased sense of coordination and timing.
In the Psychological Domain, the student will pass through four
overlapping stages. In Stage I, the student will begin to experience increased
levels of concentration and a focusing of consciousness. Stages II and
III
are characterized by an increase in body awareness and mind-body unity. When
mind-body unity is achieved it is clear evidence that CENTERING has taken
place. In Stage IV, the student will experience a heightened ability to move
fluently, powerfully and with control. The student will experience an
increased ability to harmonize with a partner's movement patterns (Centering
is a precondition for this to occur) and may also achieve what is referred to
as "flow".
When "flow" is
experienced, students report that everything they do feels easier. They feel
more coordinated and fluent and there is a merging of mind and body movements.
In fact, they become the movement! While in the west we call this
"flow", in the orient
this process is known by various names such as "zen state" and
"wa shin", among others.
When centering and timing, and a heightened sense of harmony and flow
are achieved, the student will be ready, both physically and psychologically,
to get the most out of the class, workout or contest.
Finally, I wish to offer a
warm-up sequence that incorporates the principles outlined in this paper.
While the exercises themselves may be modified and substituted based on an
instructor's preferences, the principles of Sequencing, Progression
and Specification should be adhered to if a successful level of
psychophysical unity (internal harmony) and interpersonal harmony (harmony
with partner) are to be achieved. Thus, a sample warm-up may consist of:
1. Meditation (1-1.5 minutes)
2. Short jog, jumping jacks or similar activity (1-2 minutes)
3. General exercises (stretching and loosening; light calisthenics, about 12
minutes)
4. Specific exercises (activities related to judo or jujutsu) involving
timing, control and coordination. These may include moving and fitting, ukemi,
sutekeiko and the like. For jujutsu, techniques such as irimi-nage or shiho
nage are fine exercises for enhancing interpersonal harmony (about 5 minutes).
Thus, meditation jogging and stretching exercises should take about
fifteen minutes, and timing/coordination exercises an additional five minutes
for a total preparation period of twenty
minutes.
Table 1: The Four Stages of Warm-Up: Physical And Psychological Effects
| |
Activity (examples)
|
Physical
Effects |
Psychological
Effects |
| 1. |
Meditation |
Physical Readiness |
Concentration/Focus |
| 2. |
Jogging |
Increases circulation/elevation of
body temp |
Increases Body Awareness |
| 3. |
Stretching & light calisthenics |
Loosens deep muscles/ligaments |
Mind-body unity (Centering) |
| 4. |
Moving & fitting/joining
|
Coordination/timing
|
Interpersonal
harmony and improved centering) |
1For
a discussion of types of Force, see Yiannakis: "Shuchu Ryoku: How We
Achieve Focused Power in Wa Shin Ryu Jujutsu" at: http://unm.wsrjj.org/ryoku.htm.
2For
a discussion on Centering, see: Yiannakis: "System, Philosophy and
Principles Of Wa Shin Ryu Jujutsu" at: http://unm.wsrjj.org/sysprin26.html
NOTE: For
maximum long term benefits students should be encouraged to meditate on
their own for about 20 minutes several times a week
For comments, feedback or just plain criticism, you
can reach me at: ayiann@unm.edu
Andrew Yiannakis, Ph.D.